For licensing motion picture film footage it is advised to apply directly to the copyright holders. Blah Blah Blah, 2020 His pioneering introduction of the use of language in the visual led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition.'. Mel Bochner was born in Pittsburgh, PA in 1940 and lives and works in New York, NY.

Words and language as both subject and medium form the backbone of a practice fundamentally concerned with a continual oscillation between the verbal and the visual. In ensuing works, Bochner explores the lexicon of the Carnegie International paintings but in a riot of colour, discarding his own strict formal protocol in favour of a liberated approach to form and meaning. 23 April - 20 May 2020. Please, 11 3/4 x 11 1/2 x 3 1/8" (29.8 x 29.2 x 7.9 cm), Gift of Dr. Kuo Yu-Shou (by exchange), Jill and Peter Kraus and Committee on Drawings Fund in honor of Connie Butler. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Language Is Not Transparent, 1970, Chalk on paint on wall, 72 X 48 in. With this phrase, Bochner also plays with the sincerity of his endeavour, directing a humour-filled nod at the legacy of conceptual art he has so positively shaped. [1], Bochner is Jewish and his work sometimes explores Jewish themes. From the early 80s Bochner began focusing on painting and prints featuring words and phrases that … Our focus is first and foremost on protecting our visitors' health and wellbeing as you visit the gallery. • Singer Notes, 1968, 132 pages, 25.8 x 20.5 x 1.4 cm.

Produced and published in 2017 by mfc-michèle didier. New York, NY 10013, A Conceptual Art Pioneer Who Doesn’t Mince Words, Reading Between the Lines of Mel Bochner’s Verbose Monoprints, Review: Mel Bochner ‘Strong Language’ at the Jewish Museum. Simon Lee Gallery New York is open by appointment only. 1996 • Sonnabend Gallery, New York, NY. You can unsubscribe or change your preferences at any time by clicking the link in our emails. "The exhibition traveled to the Kuntzmuseum in Luzern, Switzerland and Center for Fine Arts, Miami. 63 x 141 inches (each sheet 63 x 47 inches) As such, we’re implementing the following precautions: - No more than 15 visitors will be allowed in the gallery at once, - Upon entering the gallery, visitors will need to use the hand sanitiser provided  ⁠. Mel Bochner was born in Pittsburgh, PA in 1940 and lives and works in New York, NY. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. 2013  Mel Bochner: Wenn sich die Farbe ändert, Haus der Kunst, Munich, Germany His introduction of the use of language in the visual, led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition. Gift of Dr. Kuo Yu-Shou (by exchange), Jill and Peter Kraus and Committee on Drawings Fund in honor of Connie Butler. Edition of 20, Language Is Not Transparent, 2017 2015  Mel Bochner, Marc Selwyn Fine Art, Los Angeles, CA Monoprint with engraving and embossment on hand-dyed Twinrocker handmade paper 42 x 46 1/2 inches, HA HA HA, 2020 (detail) 2006  Mel Bochner: Language 1966 – 2006, Art Institute of Chicago, Chicago, IL Mel Bochner: Blah, Blah, Blah, Simon Lee Gallery, Hong Kong, 2017, Mel Bochner and Robert Smithson: The Domain of the Great Bear, Art Voices, Fall 1966, The Beach Boys—‘100%’, Arts Magazine, March 1967, The New York Times Style Magazine, A Conceptual Art Pioneer Who Doesn't Mince Words, 2019, Hyperallergic, Drivel, Drool, Babble, Blabber: An Evening with Mel Bochner, 2016, The New Yorker, Mel Bochner's Thesaurus Paintings, 2014, Mel Bochner in Conversation with Alexis Lowry and James Meyer, Dia:Beacon, 8 February 2020, Blah Blah Blah - Mel Bochner in His Own Words, MBLM Productions, Directed by Lizbeth Marano. in 3 parts, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EHa%20Ha%20Ha%3C/em%3E%2C%202018%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20on%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E190.5%20x%20227.3%20cm%20%2875%20x%2089%201/2%20in.%29%20in%203%20parts%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EIt%20Goes%20Without%20Saying%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EMistakes%20Were%20Made%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EI%20Forget%20What%20I%20Forgot%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, 205.7 x 228.6 cm (80 1/4 x 89 1/2 in.) Elaine A. Produced in 2017 by mfc-michèle didier. He collected the copies in four black binders and displayed them on four pedestals. in 3 parts, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EBozo%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3Cbr%20/%3E%0A%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E205.7%20x%20228.6%20cm%20%2880%201/4%20x%2089%201/2%20in.%29%20in%203%20parts%3C/div%3E. In 2004, Bochner's work was exhibited in the Whitney Biennial and was part of OpenSystems: Rethinking Art c. 1970 at London's Tate Modern in 2005. With his word paintings Bochner explores the cognitive links between looking at and reading a painting.The thesaurus paintings are an important part of this particular enquiry. - Visitors must wear a face mask to enter the gallery and keep the mask on for the duration of the visit. In 1969 the artist created his now-famous Measurement Room at Galerie Heiner Friedrich in Munich, Germany. A new series of the word paintings marks a radical departure for Bochner. Courtesy Dia Art Foundation, New York. 2012  Mel Bochner: If the Colour Changes, Whitechapel Gallery, London, UK As both an artist and critic, Bochner has served as an interpreter and interlocutor for many other artists of his generation. We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy.
"/> For licensing motion picture film footage it is advised to apply directly to the copyright holders. Blah Blah Blah, 2020 His pioneering introduction of the use of language in the visual led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition.'. Mel Bochner was born in Pittsburgh, PA in 1940 and lives and works in New York, NY.

Words and language as both subject and medium form the backbone of a practice fundamentally concerned with a continual oscillation between the verbal and the visual. In ensuing works, Bochner explores the lexicon of the Carnegie International paintings but in a riot of colour, discarding his own strict formal protocol in favour of a liberated approach to form and meaning. 23 April - 20 May 2020. Please, 11 3/4 x 11 1/2 x 3 1/8" (29.8 x 29.2 x 7.9 cm), Gift of Dr. Kuo Yu-Shou (by exchange), Jill and Peter Kraus and Committee on Drawings Fund in honor of Connie Butler. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Language Is Not Transparent, 1970, Chalk on paint on wall, 72 X 48 in. With this phrase, Bochner also plays with the sincerity of his endeavour, directing a humour-filled nod at the legacy of conceptual art he has so positively shaped. [1], Bochner is Jewish and his work sometimes explores Jewish themes. From the early 80s Bochner began focusing on painting and prints featuring words and phrases that … Our focus is first and foremost on protecting our visitors' health and wellbeing as you visit the gallery. • Singer Notes, 1968, 132 pages, 25.8 x 20.5 x 1.4 cm.

Produced and published in 2017 by mfc-michèle didier. New York, NY 10013, A Conceptual Art Pioneer Who Doesn’t Mince Words, Reading Between the Lines of Mel Bochner’s Verbose Monoprints, Review: Mel Bochner ‘Strong Language’ at the Jewish Museum. Simon Lee Gallery New York is open by appointment only. 1996 • Sonnabend Gallery, New York, NY. You can unsubscribe or change your preferences at any time by clicking the link in our emails. "The exhibition traveled to the Kuntzmuseum in Luzern, Switzerland and Center for Fine Arts, Miami. 63 x 141 inches (each sheet 63 x 47 inches) As such, we’re implementing the following precautions: - No more than 15 visitors will be allowed in the gallery at once, - Upon entering the gallery, visitors will need to use the hand sanitiser provided  ⁠. Mel Bochner was born in Pittsburgh, PA in 1940 and lives and works in New York, NY. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. 2013  Mel Bochner: Wenn sich die Farbe ändert, Haus der Kunst, Munich, Germany His introduction of the use of language in the visual, led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition. Gift of Dr. Kuo Yu-Shou (by exchange), Jill and Peter Kraus and Committee on Drawings Fund in honor of Connie Butler. Edition of 20, Language Is Not Transparent, 2017 2015  Mel Bochner, Marc Selwyn Fine Art, Los Angeles, CA Monoprint with engraving and embossment on hand-dyed Twinrocker handmade paper 42 x 46 1/2 inches, HA HA HA, 2020 (detail) 2006  Mel Bochner: Language 1966 – 2006, Art Institute of Chicago, Chicago, IL Mel Bochner: Blah, Blah, Blah, Simon Lee Gallery, Hong Kong, 2017, Mel Bochner and Robert Smithson: The Domain of the Great Bear, Art Voices, Fall 1966, The Beach Boys—‘100%’, Arts Magazine, March 1967, The New York Times Style Magazine, A Conceptual Art Pioneer Who Doesn't Mince Words, 2019, Hyperallergic, Drivel, Drool, Babble, Blabber: An Evening with Mel Bochner, 2016, The New Yorker, Mel Bochner's Thesaurus Paintings, 2014, Mel Bochner in Conversation with Alexis Lowry and James Meyer, Dia:Beacon, 8 February 2020, Blah Blah Blah - Mel Bochner in His Own Words, MBLM Productions, Directed by Lizbeth Marano. in 3 parts, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EHa%20Ha%20Ha%3C/em%3E%2C%202018%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20on%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E190.5%20x%20227.3%20cm%20%2875%20x%2089%201/2%20in.%29%20in%203%20parts%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EIt%20Goes%20Without%20Saying%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EMistakes%20Were%20Made%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EI%20Forget%20What%20I%20Forgot%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, 205.7 x 228.6 cm (80 1/4 x 89 1/2 in.) Elaine A. Produced in 2017 by mfc-michèle didier. He collected the copies in four black binders and displayed them on four pedestals. in 3 parts, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EBozo%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3Cbr%20/%3E%0A%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E205.7%20x%20228.6%20cm%20%2880%201/4%20x%2089%201/2%20in.%29%20in%203%20parts%3C/div%3E. In 2004, Bochner's work was exhibited in the Whitney Biennial and was part of OpenSystems: Rethinking Art c. 1970 at London's Tate Modern in 2005. With his word paintings Bochner explores the cognitive links between looking at and reading a painting.The thesaurus paintings are an important part of this particular enquiry. - Visitors must wear a face mask to enter the gallery and keep the mask on for the duration of the visit. In 1969 the artist created his now-famous Measurement Room at Galerie Heiner Friedrich in Munich, Germany. A new series of the word paintings marks a radical departure for Bochner. Courtesy Dia Art Foundation, New York. 2012  Mel Bochner: If the Colour Changes, Whitechapel Gallery, London, UK As both an artist and critic, Bochner has served as an interpreter and interlocutor for many other artists of his generation. We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy.
"> For licensing motion picture film footage it is advised to apply directly to the copyright holders. Blah Blah Blah, 2020 His pioneering introduction of the use of language in the visual led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition.'. Mel Bochner was born in Pittsburgh, PA in 1940 and lives and works in New York, NY.

Words and language as both subject and medium form the backbone of a practice fundamentally concerned with a continual oscillation between the verbal and the visual. In ensuing works, Bochner explores the lexicon of the Carnegie International paintings but in a riot of colour, discarding his own strict formal protocol in favour of a liberated approach to form and meaning. 23 April - 20 May 2020. Please, 11 3/4 x 11 1/2 x 3 1/8" (29.8 x 29.2 x 7.9 cm), Gift of Dr. Kuo Yu-Shou (by exchange), Jill and Peter Kraus and Committee on Drawings Fund in honor of Connie Butler. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Language Is Not Transparent, 1970, Chalk on paint on wall, 72 X 48 in. With this phrase, Bochner also plays with the sincerity of his endeavour, directing a humour-filled nod at the legacy of conceptual art he has so positively shaped. [1], Bochner is Jewish and his work sometimes explores Jewish themes. From the early 80s Bochner began focusing on painting and prints featuring words and phrases that … Our focus is first and foremost on protecting our visitors' health and wellbeing as you visit the gallery. • Singer Notes, 1968, 132 pages, 25.8 x 20.5 x 1.4 cm.

Produced and published in 2017 by mfc-michèle didier. New York, NY 10013, A Conceptual Art Pioneer Who Doesn’t Mince Words, Reading Between the Lines of Mel Bochner’s Verbose Monoprints, Review: Mel Bochner ‘Strong Language’ at the Jewish Museum. Simon Lee Gallery New York is open by appointment only. 1996 • Sonnabend Gallery, New York, NY. You can unsubscribe or change your preferences at any time by clicking the link in our emails. "The exhibition traveled to the Kuntzmuseum in Luzern, Switzerland and Center for Fine Arts, Miami. 63 x 141 inches (each sheet 63 x 47 inches) As such, we’re implementing the following precautions: - No more than 15 visitors will be allowed in the gallery at once, - Upon entering the gallery, visitors will need to use the hand sanitiser provided  ⁠. Mel Bochner was born in Pittsburgh, PA in 1940 and lives and works in New York, NY. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. 2013  Mel Bochner: Wenn sich die Farbe ändert, Haus der Kunst, Munich, Germany His introduction of the use of language in the visual, led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition. Gift of Dr. Kuo Yu-Shou (by exchange), Jill and Peter Kraus and Committee on Drawings Fund in honor of Connie Butler. Edition of 20, Language Is Not Transparent, 2017 2015  Mel Bochner, Marc Selwyn Fine Art, Los Angeles, CA Monoprint with engraving and embossment on hand-dyed Twinrocker handmade paper 42 x 46 1/2 inches, HA HA HA, 2020 (detail) 2006  Mel Bochner: Language 1966 – 2006, Art Institute of Chicago, Chicago, IL Mel Bochner: Blah, Blah, Blah, Simon Lee Gallery, Hong Kong, 2017, Mel Bochner and Robert Smithson: The Domain of the Great Bear, Art Voices, Fall 1966, The Beach Boys—‘100%’, Arts Magazine, March 1967, The New York Times Style Magazine, A Conceptual Art Pioneer Who Doesn't Mince Words, 2019, Hyperallergic, Drivel, Drool, Babble, Blabber: An Evening with Mel Bochner, 2016, The New Yorker, Mel Bochner's Thesaurus Paintings, 2014, Mel Bochner in Conversation with Alexis Lowry and James Meyer, Dia:Beacon, 8 February 2020, Blah Blah Blah - Mel Bochner in His Own Words, MBLM Productions, Directed by Lizbeth Marano. in 3 parts, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EHa%20Ha%20Ha%3C/em%3E%2C%202018%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20on%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E190.5%20x%20227.3%20cm%20%2875%20x%2089%201/2%20in.%29%20in%203%20parts%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EIt%20Goes%20Without%20Saying%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EMistakes%20Were%20Made%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EI%20Forget%20What%20I%20Forgot%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, 205.7 x 228.6 cm (80 1/4 x 89 1/2 in.) Elaine A. Produced in 2017 by mfc-michèle didier. He collected the copies in four black binders and displayed them on four pedestals. in 3 parts, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EBozo%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3Cbr%20/%3E%0A%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E205.7%20x%20228.6%20cm%20%2880%201/4%20x%2089%201/2%20in.%29%20in%203%20parts%3C/div%3E. In 2004, Bochner's work was exhibited in the Whitney Biennial and was part of OpenSystems: Rethinking Art c. 1970 at London's Tate Modern in 2005. With his word paintings Bochner explores the cognitive links between looking at and reading a painting.The thesaurus paintings are an important part of this particular enquiry. - Visitors must wear a face mask to enter the gallery and keep the mask on for the duration of the visit. In 1969 the artist created his now-famous Measurement Room at Galerie Heiner Friedrich in Munich, Germany. A new series of the word paintings marks a radical departure for Bochner. Courtesy Dia Art Foundation, New York. 2012  Mel Bochner: If the Colour Changes, Whitechapel Gallery, London, UK As both an artist and critic, Bochner has served as an interpreter and interlocutor for many other artists of his generation. We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy.
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mel bochner working drawings

2015  Mel Bochner: Drawings 1966 – 1968, Craig F. Starr, New York, NY, By Appointment: King was the curator of this exhibition and it was accompanied by the publication of a catalog of the same title. In 2019 Bochner unveiled a new, large-scale work from his Measurement series at Dia:Beacon, Beacon, NY and in 2018 he participated in the 57th Edition of the Carnegie International, Pittsburgh, PA. In 1966 he curated the exhibition 'Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art', which has been described as the first Conceptual art exhibition. Mel Bochner is recognized as one of the leading figures in the development of Conceptual art in New York in the 1960s and 1970s. Mel Bochner in his 1966 show Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art, credited as one of the earliest exhibitions of conceptual art. 2018  Amazing! In 2011, a retrospective of his work is being held at the National Gallery of Art.

Bochner photocopied his friends' working drawings, including a $3,051.16 fabricator's bill from Donald Judd. Bochner received his BFA in 1962 and honorary Doctor of Fine Arts in 2005 from the School of Art at Carnegie Mellon University. If you have additional information or spotted an error, please send feedback to [email protected]. 2014  Mel Bochner: Strong Language, The Jewish Museum, New York, NY  King wrote the essay "Building a Language," and Charles Stuckey contributed the piece "An Interview with Mel Bochner. The show was remade at the Drawing Center , New York, in 1998. John Russell wrote in a New York Times article, Art View; The Best and Biggest in Pittsburgh, .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}. Four identical looseleaf notebooks. Out of the thesaurus paintings, Bochner developed a new body of work that continued to track the artist's ongoing fascination with language and colour.
For licensing motion picture film footage it is advised to apply directly to the copyright holders. Blah Blah Blah, 2020 His pioneering introduction of the use of language in the visual led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition.'. Mel Bochner was born in Pittsburgh, PA in 1940 and lives and works in New York, NY.

Words and language as both subject and medium form the backbone of a practice fundamentally concerned with a continual oscillation between the verbal and the visual. In ensuing works, Bochner explores the lexicon of the Carnegie International paintings but in a riot of colour, discarding his own strict formal protocol in favour of a liberated approach to form and meaning. 23 April - 20 May 2020. Please, 11 3/4 x 11 1/2 x 3 1/8" (29.8 x 29.2 x 7.9 cm), Gift of Dr. Kuo Yu-Shou (by exchange), Jill and Peter Kraus and Committee on Drawings Fund in honor of Connie Butler. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Language Is Not Transparent, 1970, Chalk on paint on wall, 72 X 48 in. With this phrase, Bochner also plays with the sincerity of his endeavour, directing a humour-filled nod at the legacy of conceptual art he has so positively shaped. [1], Bochner is Jewish and his work sometimes explores Jewish themes. From the early 80s Bochner began focusing on painting and prints featuring words and phrases that … Our focus is first and foremost on protecting our visitors' health and wellbeing as you visit the gallery. • Singer Notes, 1968, 132 pages, 25.8 x 20.5 x 1.4 cm.

Produced and published in 2017 by mfc-michèle didier. New York, NY 10013, A Conceptual Art Pioneer Who Doesn’t Mince Words, Reading Between the Lines of Mel Bochner’s Verbose Monoprints, Review: Mel Bochner ‘Strong Language’ at the Jewish Museum. Simon Lee Gallery New York is open by appointment only. 1996 • Sonnabend Gallery, New York, NY. You can unsubscribe or change your preferences at any time by clicking the link in our emails. "The exhibition traveled to the Kuntzmuseum in Luzern, Switzerland and Center for Fine Arts, Miami. 63 x 141 inches (each sheet 63 x 47 inches) As such, we’re implementing the following precautions: - No more than 15 visitors will be allowed in the gallery at once, - Upon entering the gallery, visitors will need to use the hand sanitiser provided  ⁠. Mel Bochner was born in Pittsburgh, PA in 1940 and lives and works in New York, NY. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. 2013  Mel Bochner: Wenn sich die Farbe ändert, Haus der Kunst, Munich, Germany His introduction of the use of language in the visual, led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition. Gift of Dr. Kuo Yu-Shou (by exchange), Jill and Peter Kraus and Committee on Drawings Fund in honor of Connie Butler. Edition of 20, Language Is Not Transparent, 2017 2015  Mel Bochner, Marc Selwyn Fine Art, Los Angeles, CA Monoprint with engraving and embossment on hand-dyed Twinrocker handmade paper 42 x 46 1/2 inches, HA HA HA, 2020 (detail) 2006  Mel Bochner: Language 1966 – 2006, Art Institute of Chicago, Chicago, IL Mel Bochner: Blah, Blah, Blah, Simon Lee Gallery, Hong Kong, 2017, Mel Bochner and Robert Smithson: The Domain of the Great Bear, Art Voices, Fall 1966, The Beach Boys—‘100%’, Arts Magazine, March 1967, The New York Times Style Magazine, A Conceptual Art Pioneer Who Doesn't Mince Words, 2019, Hyperallergic, Drivel, Drool, Babble, Blabber: An Evening with Mel Bochner, 2016, The New Yorker, Mel Bochner's Thesaurus Paintings, 2014, Mel Bochner in Conversation with Alexis Lowry and James Meyer, Dia:Beacon, 8 February 2020, Blah Blah Blah - Mel Bochner in His Own Words, MBLM Productions, Directed by Lizbeth Marano. in 3 parts, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EHa%20Ha%20Ha%3C/em%3E%2C%202018%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20on%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E190.5%20x%20227.3%20cm%20%2875%20x%2089%201/2%20in.%29%20in%203%20parts%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EIt%20Goes%20Without%20Saying%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EMistakes%20Were%20Made%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EI%20Forget%20What%20I%20Forgot%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E74.9%20x%20227.3%20cm%20%2829%201/2%20x%2089%201/2%20in.%29%3C/div%3E, 205.7 x 228.6 cm (80 1/4 x 89 1/2 in.) Elaine A. Produced in 2017 by mfc-michèle didier. He collected the copies in four black binders and displayed them on four pedestals. in 3 parts, %3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMel%20Bochner%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EBozo%3C/em%3E%2C%202019%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20verso%20in%20Sharpie%20on%20stretcher%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3EOil%20on%20velvet%3Cbr%20/%3E%0A%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E205.7%20x%20228.6%20cm%20%2880%201/4%20x%2089%201/2%20in.%29%20in%203%20parts%3C/div%3E. In 2004, Bochner's work was exhibited in the Whitney Biennial and was part of OpenSystems: Rethinking Art c. 1970 at London's Tate Modern in 2005. With his word paintings Bochner explores the cognitive links between looking at and reading a painting.The thesaurus paintings are an important part of this particular enquiry. - Visitors must wear a face mask to enter the gallery and keep the mask on for the duration of the visit. In 1969 the artist created his now-famous Measurement Room at Galerie Heiner Friedrich in Munich, Germany. A new series of the word paintings marks a radical departure for Bochner. Courtesy Dia Art Foundation, New York. 2012  Mel Bochner: If the Colour Changes, Whitechapel Gallery, London, UK As both an artist and critic, Bochner has served as an interpreter and interlocutor for many other artists of his generation. We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy.

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