In THE LIGHTHOUSE, Ephraim Winslow (Robert Pattinson) arrives for work as an assistant lighthouse keeper, working under salty old seaman Thomas Wake (Willem Dafoe). That’s when things start to get really weird. His behind is shown in a non-sexual way. Eggers pivots perspectives expertly here: first you don’t trust Winslow, then you don’t trust Wake, then you trust no one. A man is implied to be masturbating in a room above where a character is standing. Shirtless male. Blood spatters each time the seagulls body hits the pavement. He’s practically a flesh-and-blood extension of the lighthouse itself, to the extent that his beard seems like it should be made of barnacles—and he quickly subjects Winslow to a grueling life of hard labor at the ends of the earth. Posted by 9 months ago. How Technology Is Reshaping Democracy and Our Lives, Participate in DigCit Week with your kid by using curated activities from Wide Open School, Online Playdates, Game Nights, and Other Ways to Socialize at a Distance, Keeping Kids Motivated for Online Learning, Set limits for violence and more with Plus, Body-chilling;Nerve-racking art is way too much for little kids, Sexual material, violence, and profanity in horror masterpiece, 5 Tips to Make Family Movie Night a Success. Arguing. A horror movie about having a roommate, writer-director Robert Eggers’ striking sophomore effort “The Lighthouse” is a visually arresting wallow in ye olde New England dread replete with phantasmagoric glimpses of sea monster tentacles and wounded mermaids washed up on shore. After capturing the gruesome and god-fearing hysteria of witchcraft in his 2016 debut, The Witch, it was clear he already had a firm (and twisted) grasp on the supernatural. Robert Pattinson and Willem Dafoe co-star. Read: ‘The Witch’ mines the terror of the unknown. The Lighthouse is a hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s. As our characters become increasingly unhinged, the movie’s already tenuous grip on reality begins to slip altogether. Get full reviews, ratings, and advice delivered weekly to your inbox. The Lighthouse is a film that is masterful in every respect: In the performances, in the audacious script, in the sinister gloom that pervades every shot. Based on real events which saw two lighthouse keepers stranded for months at sea in a freak storm, the film tells a tale of death, madness and isolation; a desolate trip into the heart of human darkness. How is drinking depicted? The boxy frame cramps the claustrophobia while emphasizing vertical lines in Eggers’ careful compositions, awash as they are in rib-nudging phallic imagery and hopped-up masculine energy. But it has that same attention to detail that makes Eggers such an exciting filmmaker. Both characters are highly troubling, both venture down paths of destruction. Dafoe’s performance is incandescent—what starts subtly creepy bursts into something maniacally, even poetically, disturbing. There’s one moment when Willem and Pattinson get plastered and almost kiss, but push each other away and begin to fist fight instead. It’s a bracing squall of a movie, a briny delight that’s as amusing as it is mesmerizingly strange. It’s clear from the jump that Wake knows more than he’s leading Howard to believe. Scary nightmare sequences. His rapturously acclaimed 2016 debut “The Witch” proffered a rather ridiculous amount of research for a tale of 17th-century Puritan settlers besieged by a satanic goat. A man forces another man to act like a dog and bark while on a leash and almost burys the man alive. Is the movie scary? No clear message here, but movie is about isolation and how a little imagination can get someone into trouble, leading that person down a path into believing things that may not be true. Please try again later. Eggers and ace cinematographer Jarin Blaschke shoot in the almost-square 1.19 aspect ratio — a screen size seldom used since the silent era — using vintage 1930s lenses on contemporary cameras to add to the picture’s woozy sense of temporal displacement. It’s a question that occurred to me last year while watching him give underwater orders with the utmost gravity while astride a CGI shark in “Aquaman.” Here’s an actor who's always up for anything, giving a thousand percent no matter the project. The movie has just two speaking characters: Set in the 1890s, it follows Winslow, a “wickie,” or lighthouse keeper, who begins a duty shift under the supervision of the salty sea dog Thomas Wake (Willem Dafoe). Ephraim and Wake eventually reach a tipsy detente at the end of their assigned time together, only to find that a storm has delayed their relief ship. If you pay close enough attention, though, you’ll find hyper attention to detail in every scene as the movie unfolds into a truly mesmerizing, oddball concoction of horror and mythology. Hitting with blunt objects. A man is shown standing naked in the rain (non sexual) and the way his legs are positioned no nudity is show. How does the concept of isolation in an 1890s lighthouse apply to today? It is implied to be semen. There is disturbing content and horrific images throughout the movie. | Winslow and Wake’s interactions are warm at times, murderously venomous at others; there’s great humor to both Dafoe’s and Pattinson’s performances as they butt heads, sing songs and dance together, and argue vigorously about the quality of Wake’s cooking. New Hampshire native Eggers has an archeologist’s interest in local folklore. Parents: Set preferences and get age-appropriate recommendations with Common Sense Media Plus. Has Willem Dafoe ever phoned it in? Thank you for your support. We fight amongst each other for freedom and power, but in the end, our fate is in the hands of the earth we inhabit. That honking is the sonic foundation of Robert Eggers’s new film, a striking exercise in psychological torment from the man who made The Witch in 2015. Graphic in nature, but no explicit nudity is shown. A man plunges an axe into another man's shoulder. All Rights Reserved. Urinating, farting, vomiting, buckets full of excrement. Dead bodies, gulls plucking eyeballs and intestines from a corpse. Ax heaved into shoulder, blood shown. Synopsis Blood splashes all over another mans face. Directed by Chris Crow. All rights reserved. This is the longstanding horror nestled within Robert Eggers’s new ghost story. Is it glamorized? Robert Eggers’s new film, starring Robert Pattinson and Willem Dafoe, is an enthralling exploration of the mania of isolation. Their combative relationship is quickly complicated as Eggers begins to hint that some supernatural forces are at work—Winslow has visions of a mermaid washing ashore, while Wake seems entranced by and beholden to the lighthouse’s light, jealously guarding access to the top of the tower and possibly communing with a giant squid. What's the appeal of scary movies? Expect extremely disturbing violent imagery, including slicing with an ax, lots of blood, a character bashing a seagull to death, a severed human head, a human corpse with gulls plucking at its eyeballs and intestines, fighting, screaming, and humiliation, plus urinating, farting, and buckets of excrement. It's excellent, though deeply unsettling. Eggers, who also made The Witch, creates such a complete picture of the past that it almost feels like the movie was actually filmed there. Frequent drinking and extreme drunkenness. Wake is an irrational taskmaster and a roaring drunk, at night retiring up the tower to the light for secret, mysterious activities of which we only see disturbingly sexualized hints and sticky after-effects. Part of the fun with The Lighthouse is finding the mythological gems Eggers has hidden; doing so will deeply enhance your appreciation for the movie’s lore. The Lighthouse has images that are so disturbing and pungent that casual viewers may well wish they could un-see them -- but the staunchest viewers may be tempted to revisit them, just to confirm that they saw what they think they saw. Or is Eggers just exploring the mania of isolation, the violent urges that can come with loneliness and sexual repression out in the middle of nowhere? Extremely disturbing imagery. A slimy, white substance is seen falling in front of a character. The Lighthouse is a hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s. There’s also this one annoying seagull who keeps taunting them, acting like a total jerk. When their human nature isn’t enough for some destructive fun, mother nature comes raging. With a little thought, this can be applied to the internet age -- i.e., how devices impact our tendency toward isolation, how online interactions can lead to narrow or misguided views. Rated R for sexual content, nudity, violence, disturbing images, and some language. When Winslow arrives on the island and settles into his room, he stumbles upon a carved wooden mermaid figurine. The violence (while in black in white) is still disturbing because of the tone the film sets. He’s a brilliant, stubborn drunk that espouses the slightest pity; he even perfects the bizarre and disconcerting Maine accent Eggers asks of him (seriously, you’re going to want to luxuriate in this accent). Eric Chakeen / A24 / The Everett Collection. Searching for streaming and purchasing options ... Common Sense is a nonprofit organization. Brief shot of woman's bare breasts lasting about 2-3 seconds. A man kills a seagull by grabbing it by its neck and smashing it into the ground. Implied masturbation in more than one scene. His character is a trickster who craves to know the secret of the lighthouse—one that’s believed to be lit with the fire of St. Elmo.
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